Pencils
Rembrandt sepia pencil
Sepia pencil for sketches and drawings, available in DRY and OIL versions in light and dark tones.
DRY: Clays and iron oxides of different shades agglomerated with a mixture of binders of plant origin. Sepia light, slightly darker than sanguine, a perfect third way, a very intense tone that, while still being reddish, is perfect for creating shadows in combination with the sanguine pencil. The 5 mm lead is rich in pigment, fragile due to its purity, perfectly blendable, from full to saturated and glazed tone. dark sepia It has a warm, vaguely reddish brown tone, more similar to the mummy color. It is advisable to use fixative spray.
OIL: The same pigments used in the dry version, the same concentration, a binder based on minimal vegetable oils and waxes, constitute a product with which completely different strokes are obtained. Full, full-bodied and defined line; It supports superimposition and can be mixed in the different tones, calibrating the pressure of the tip on the sheet of paper. Perfect instruments for rough sketches and sketches that are distinguished by their cleanliness and intensity. The line adheres perfectly to the support and covers it completely; difficult to erase.
Rembrandt sanguine pencil
Sanguine pencil for sketches and drawings, available in DRY and OIL versions.
DRY: Composition based on iron oxides and clays joined with gum arabic and binders of natural origin, it traces a characteristic reddish color similar to blood on the paper. It is used in artistic drawing to create works and sketches. The quality is based on the concentration of the pigment and the perfect balance between it and the binder: allowing a dosage of the line that, from fine and clean, becomes intense and rich. The medium tone, luminous, not orange, takes up the color used by Leonardo and Michelangelo.
OIL: Unlike the DRY version, the generosity of the line is obtained with the mixture of oils that determine a dense and full-bodied paste that leaves a compact, soft and powerful line on the paper, giving rise to an obvious contrast between it and the tone. warm from the sanguine. Applied on satin or fine grain paper, it leaves pasty, homogeneous and intense strokes.
Rembrandt white pastel pencil
White pencil for sketches and drawings, available in DRY and OIL versions. Ideal for contrasting the lines and softening the brightest strokes and, thus, determining the three-dimensional relief effect of the image, its depth and making the volumes emerge.
DRY: compact and resistant, it provides generous performance on paper, allowing soft blurs and well-defined highlights. Dry white allows quick and suggestive interventions even with oil-based, black or colored pencils on white fine-grained semi-rough paper, if used to give light. It is recommended to use a fixative once you finish using it.
OIL: It has a docile, dense and pasty lead. Great covering capacity. On a rough surface, the line alternates full and empty, with a greasy tempera effect. Difficult to erase due to the abundance of pigment.
Set 3 carboncillos Pebeo
Set 6 carboncillos Pebeo
Set 12 carboncillos Pebeo
Derwent Roseador
Derwent's roser adds a new creative dimension to your water-based work. Spray water directly onto water-soluble drawings to create interesting textures, color runs, and drip effects. You can also dissolve the color pigment in the Grate 'n' Shake (Inktense or Watercolor, for example), fill the Spritzer, and spray the color directly onto your image. Many artists will also lightly spray water on paints to maintain a moist work area.
It is small enough to fit in your backpack 4.72 inches long or 120 mm
Conté à Paris sketch pencil
Sepia pencil: It gives a color reminiscent of burnt amber. It shades easily and when sharpened gives a precise and delicate finish. With a half-used lead, the finish becomes more opaque as the pressure exerted on the pencil increases.
Sanguine Pencil: The color of the Conté à Paris "Sanguine" pencil is a deep "rust" and its lines blend easily.
White pencil: Best used with a sharp lead, this pencil gives a clear line with a transparent color.
Lápices esbozo / Sanguina
Lápiz Pierre Noire Conté à Paris
Ergosoft 36 Staedtler
- High quality colored pencil in ergonomic triangular shape for relaxed and easy drawing.
- Mina especialmente suave y de colores intensos.
- A · B · S: la capa protectora blanca refuerza el núcleo de la mina y aumenta la resistencia a la rotura.
- Superficie suave y antideslizante con campo de nombre.
- Madera procedente de bosques gestionados de forma sostenible con certificación FSC
Lápices Lumograph Black Staedtler
- Lata de metal que contiene 6 lápices de dibujo en diferentes grados
- Lápiz de dibujo de alta calidad Fórmula especial de plomo que contiene una alta proporción de carbono para resultados de color negro azabache mate.
- High resistance to breakage through a special formulation of super bonded lead.
- Disponible en 6 grados consistentes finamente graduados: 8B, 7B, 6B, 4B, 2B, HB
- Diámetros : 8B: aprox. 4,5 mm, 7B / 6B / 4B / 2B / HB: aprox. 3,6 milímetros
- Wood from sustainably managed forests with PEFC certification